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02. 02. 12

Helvetica sucks

It really wasn’t designed for small sizes on screens. Words like mil­li­liter can be very dif­fi­cult to deci­pher. If you ever had to read or write a pass­word with 1, i, l or I, you know the prob­lem. That lit­tle com­par­i­son below is also avail­able from the down­load page.

 

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14 Responses to “Helvetica sucks”:


 

1

It is not sur­pris­ing. It was not made for this ))))

 

2

Hel­vetica is pretty ter­ri­ble at small sizes, pretty life­less oth­er­wise. Nice graphic show­ing Hel­vetica failing.

 

3

No, it wasn’t designed for the many small screens of 1957.

 

4

I love Hel­vetica in the right con­text, but new faces are required for new applications.

Thanks for the com­par­i­son chart.

 

5

We didn’t used Hel­vetica for along time — I guess since 95. We were bored because every­thing seems to be design around and with the Helv.

For the web it wasn’t intented to be used and it was tech­ni­cally impos­si­ble. Nowa­days with newer tech­nol­ogy it’s a bit dif­fer­ent. Web fonts are on the way.

Hel­vetica isn’t a web font. Period.

Look at the Lufthansa CD. After so many years, it’s still styl­ish. But even Lufthansa uses Arial etc. on their site.

Guess why.

 

6

In my opin­ion it’s a stan­dard font.. Wasn’t meant for small size..

Thanks for the clar­i­fi­ca­tion graphics.

 

7

This chart demon­strates how the word ‘mil­li­liter’ is prac­ti­cally unread­able in any type­face, on screen, when set to 12pt. It also shows how supe­rior Hel­vetica is at a larger scale to other sans-serif typefaces.

 

8

Maybe not in your image, but small Hel­vetica looks pretty awe­some on my retina dis­play. Just sayin’

 

9

Hey. I love you. But not Helvetica.

 

10

Nice, short and to the point.

 

11

Point­less ! Since Hel­vetica wasn’t designed for the screen it makes no sense to com­pare it with type­faces designed for the screen. Also as men­tioned before, retina dis­plays and other high res. solu­tions are on their way that will make things look alot more crisp.

 

13

A nice com­par­i­son. As men­tioned, it is a lit­tle out of con­text I guess but it’s great to see.

 

14

I notice you have Meta and Unit avail­able to you, so I’m curi­ous: as the designer of your fonts, do you still own the copy­right to them? To what extent are you bound by the restric­tions of FSI’s EULA like the rest of us?

 






 

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