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20. 06. 09

Airtype

A Zep­pelin NT has been seen above San Fran­cisco Bay, show­ing tourists the sights from above. The air­ship is 75m (246ft) long and 17m (64ft) high. The logo Air­ship Ven­ture is set in ITC Offic­ina Bold and must be about 5m (16ft) high und 32m (106ft) long.zeppelin
airship_typoWhile I am happy to see my type­face that large in the sky above, it feels strange as well. After all, when Offic­ina was designed in the late 80s, it was meant to be used in cor­re­spon­dence, to replace type­writer type. It sub­se­quently shares quite a few of those char­ac­ter­is­tics. And too bad that licenses are not paid by size.

 

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9 Responses to “Airtype”:


 

1

Looks like they’re using some­thing along the lines of Amer­i­can Type­writer (or it could be Claren­don, in which case my point is use­less) as well, stick­ing with the theme I suppose.

 

2

it is Amer­i­can Type­writer for Going Places.

 

3

eric: “.…it was meant to be used in cor­re­spon­dence, to replace type­writer type”

kvond: what does it mean for you to see your type­face used for pur­poses it was not at all designed? Is it incon­cor­dant? lib­er­at­ing? Can it be that your type has found a new suit­able envi­ron­ment, or does one feel that some­one is just not being sen­si­tive to the inher­ent char­ac­ter­is­tics of the design?

 

4

[ot]
you’ll prob­a­bly never see your name spelled cor­rectly ;)

 

5

when you pub­lish a type­face, you put it out there. Any­body can use it. And as long as they buy a license, I don’t care. If they steal it (which 90% of the peo­ple do), they should make it look good. Unfor­tu­nately, the good design­ers tend to be the hon­est ones. So I see a lot of my type being used badly and ille­gally. But that is the name of the game. If I didn’t accept it, I would need to get out of it.

Yes, Mar­cus, get­ting peo­ple to spell my name right has always been an issue.
ERIK – how dif­fi­cult can that be? And how much room for mis­takes is there?

 

6

Erik,

(Apolo­gies: con­sider the respelling a translit­er­a­tion of its sound between cul­tures, just as a spelling can be expressed in a vari­ety of typefaces.)

Kind of you to answer my ques­tion, but I sup­pose I didn’t ask it closely enough. I was not ask­ing whether you accept it or not, but whether you find a recon­tex­u­al­ized use as lib­er­at­ing or incon­cor­dant. Is it merely a difficulty?

You see Zep­pelin NT used in a way it was never imag­ined to be (inter­est­ingly, the name you gave to the type­face seems to have dri­ven its choice). Does this some­times make your rec­og­nize new pos­si­bil­i­ties for the type­face, see it in a way you never had, or…does it sim­ply strike you as abuse.

 

7

The type­face is called ITC Offic­ina Sans. Where do you get the other name from?
I usu­ally find it enrich­ing to see other peo­ple use my type­faces. They may have been intended for a spe­cific pur­pose but by def­i­n­i­tion, every text face has to be uni­ver­sal. More often than not, other design­ers find uses that I had not envis­aged. And those often look great.

 

8

ES: “They may have been intended for a spe­cific pur­pose but by def­i­n­i­tion, every text face has to be universal.”

Kvond: I like that very much. This means for you that a type­text has to have the poten­tial to per­vade every envi­ron­ment? What does it mean,if you don’t mind me ask­ing, for a text­text to be uni­ver­sal? The Roman Alpha­bet is uni­ver­sal in the sense that you have to use it if you are going to be writ­ing Eng­lish in any cir­cum­stance, but in what sense is a type­text uni­ver­sal? Is it that type­text has achieved a cer­tain uni­ver­sal­ity of medium appli­caiton? Or, to put it another way, if a type­text is meant for a spe­cific pur­pose (or con­text), do you see a cer­tain uni­ver­sal­ity to this poten­tial, in our cul­ture? Clearly there are some type­texts that if you found them used like Hel­vetica you would think that the world had taken a curi­ous, if not dis­as­ter­ous, aes­thetic turn.

 

9

What do you mean by “typetext”?

 






 

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